"Her voice permeats and intertwines lifting it to superb level"
Slippy T
Phoenix J
© 2000-9
Phoenix J
 
 
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Dark Star Audio
Kalinkaland

Musik.Terrorverlag
Zabadak
Singapore Straits Times
Sound on Sound

Dark Star Audio

Elektrofest Live Review
By Rob Dyer

Long-standing favourites Greenhaus were on next and it had been some time since I'd caught up with them. This was immediately noticeable as they took to the stage - I only recognised one of the original line up - core songwriter Steve Bellamy. He was joined on stage by a new drummer and female keyboard player. Female vocalist Phoenix J has transformed herself from when I first saw her live at Elektrofest 2004. She has developed a captivating stage persona and her vocals are easily the best the band has ever had. Bellamy was almost hidden - tucked away behind a pile of equipment - only occasionally emerging when switching to backing guitar. The older songs are more refined and accomplished and the newer material is accessible in a way that only Greenhaus seem to be able to pull off without compromising their integrity. The finished article remains a compelling mixture of atmospheric instrumentals, cracking melodies, sweeping emotions and a wonderful voice. I'm keen to hear the new album You're Not Alone - due imminently.

Kalinkaland.de

YOU'RE NOT ALONE REVIEW
By Harald Lowy

Love, darkness, parting, weightlessness again and again, cosmic sound walls. You're not alone is the phenomenal German debut, of the best British Electro Band of the year! Over one hour long, the talented Londoners unpack everything, burning their soul: a journey through space and time, between understatement and global feeling. Greenhaus drafts musical sketches with ethereal guitars and spacial melodies and rises weightless into the heavens; four minutes of full simple beauty.

It begins with the title song You're not alone whose playful beginning hardly prepares you for this energetic crazy striptease, you unexpectedly are launched into. Before our eyes, a bewitching flowing Electropop firecracker unfolds, heaving the melancholy young spigots onto a level with their big national colleagues. And then the whole singer Phoenix J emerges like a sacred grail and spreads an eerily imposing attraction, like we have never heard before. Songs follow like Home ("The way is clear now as we dust away the cobwebs") or Til The Fat Lady Sings (with the great insight:"....that life may not be a bowl of cherries") and the exciting hymn Higher Ground, a complete show that implies more of achievements than just simple song property.

You're not alone is excellently staged Electro-Britpop. A miracle bag, crammed full, and at the end, if one has landed again, one asks oneself, what have I caught there? No question: Greenhaus has supported their ambitions.

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Musik.terrorverlag.de

GREENHAUS LIVE REVIEW
(DE/VISION TOUR)
By Michael

East Westfalian Germans are notorious for their stubbornness and reservedness, a reputation that may stem from the fact that they don't eat stuff they don't know. Right from the start of the concert, I was very impressed with the stage presence of lady singer PJ, only 160 cm tall.

GREENHAUS, founded as a techno/instrumental project in 1998, had been joined by this petite, charismatic singer of Asian origin about 18 months ago. She assured me that she has never had any classical vocal training, but I didn't believe it - or I didn't want to believe it...Susanna, the lady on keyboards, was a new band member. It was obvious that she knows her classical piano.

A perfect symbiosis of Massive Attack, The Cure and VNV Nation,GREENHAUS impressed song by song. Not only could one tell that they were having a great time playing their music, but also that they knew exactly what they were doing. After some initial scepticism amongst the 300 audience members, the ice was quickly broken, and PJ, Susanna and their band mates clearly enjoyed the lively atmosphere. Their very trancey waves of sound in conjunction with PJ's powerful and clear voice took the listener on a voyage on an ocean of melodies.

It was almost therapeutic, making forget the day's stress in view of the highly competent performances on vocals, guitars, bass, synths and e-drums.

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Zabadak

Junkk CD Review
By Ron Cooper

'It's been a long wait, but this is a great follow up to 1997's 'Binary Star' (when she was known as simply Joan Martin).

Phoenix J has a sweet voice coupled to that cute "Singaporean" accent (an original charm), and via a mixture of many influences (from "Nu R&B" of J.Lo & Beyonce to "Nu Disco" of Kylie), takes us on an attractive journey.

Two numbers 'Play My Song', & the gentle 'Dancing With Secrets' are reminiscent of the 'Binary Star' style, but the rest sees Phoenix moving into fresh pastures.

Stand out tracks are 'Junkk' carefully interwoven with some interesting eastern sounds, 'Why Do I Care So Much' heavenly & an excellent vocal "a slower pace...turn to think...what's important", 'Duty & Desire' majestic & great ideas, 'Echo Of You' enjoyable far Eastern sounds "can you hear the way it echoes down through me", 'Love Science 101' very much "pop" reminding of Mel C (there are two versions), 'Cry' excellent, and 'No People' a soulful choir fuelled affair - very beautiful as Phoenix pulls all the stops out.

A worthy successor, with more maturity, more emotion, stronger vocals & some cutting edge production touches. '

8½ - Ron Cooper

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Singapore Straits Times, Life!

A Phoenix that is set to soar...

By Paul Zach, Zach's Trax

"J's Album takes the blend of Western pop, R&B dance and Asian influences she explored on Binary Star to another level. Lovers, of alternative music, dance and even rock will find plenty of tasty riffs and touches.

Why Do Care So Much? has a killer chorus that is ready made for radio. Love Science 101, the JP Folks award winner, has "hit" written all over it and comes with a de-regueur chill edit. But three tracks at the album's core make it stand out high above today's rapidly growing music waste land.

Duty & Desire has one of the lushest soundscapes heard on record this year. Tin whislte flutes float through the mix (J plays those, too), turning it into a moving listening experience. Asian touchs, including a striking gong sample, light up Shine Down. And J's Middle-Eastern vocal twists and turns on Blissfully Blasted will make you just that..."

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Sound on Sound

Phoenix J
By Paul White


Read article here.

 

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